Fiddle Bop
In my previous blog I talked briefly about
Red Haired Boy in the Key of A. Today I will discuss an original fiddle tune that I wrote for the banjo. This tune is called
Fiddle Bop, and it is written in the key of E.
Unlike
Red Haired Boy that I played strictly using the single-string style,
Fiddle Bop employs pattern playing a la Earl Scruggs and only a small amount of single-string technique. The chorus is also filled with arpeggio patterns that I feel mimic the sound of a fiddle in a similar fashion that the fluid scale passages do in
Red Haired Boy.
The Major Scale
First things first; for those of you with little to no background in music theory, a major scale is a major scale no matter what the key is. When a scale is played in a closed single-string style on the banjo, the pattern or scale becomes movable without changing the pattern. Thus the pattern for one major scale is the same pattern in any other key. We'll take a look at this shortly, but first let's build upon our G and A scales from last time and add the E major scale.
As you can see the E major scale adds an additional sharp when compared to the A major scale; not to worry though as you will see below that the major scale pattern is the same for all keys regardless of the number of sharps or flats in the key.
Meaning: it is no harder to play than any other major scale.
Single-String Major Scale Pattern
Let's start with the familiar banjo key of G. The tab on the left is for the G major scale, and the image on the right represents the pattern that the fingers make while ascending the scale from the first note to the last note of the G major scale.
G Major Scale
Now take a look at the banjo tab for the E major scale and its corresponding pattern. Note that the two patterns are identical. By learning one scale pattern in the single-string style we learn them all by default for all keys! This of course is true as long as you start your pattern on the 4th string in the open G tuning.
E Major Scale
Just to clarify, the red dot on the lowest string on the left is the root of the scale and starts the pattern.
Scales are the foundation of most music. I say most music because there are indeed works of atonal music. Atonal music basically lacks a central tone or key, or perhaps has a key but doesn't convey a sense of musical direction found in typical music.
For the vast majority of fiddle tunes and other music the bottom line is that scales are important; whether they are major, minor, or any number of other scales. Learn them!
Arpeggio
Probably the largest element of
Fiddle Bop is the use of arpeggios to convey the melody. An arpeggio is simply a chord that is played as a sequence of notes. The image below is the first bar of the Fiddle Bop chorus. The two chords employed are the A major and B major chords. Over these two chords I am playing a Scruggs-style pattern of eighth notes that at least in my mind gives me a fiddle-like melody.
Banjo players will recognize these chords as a standard bar chord. The first bar chord here is the A major chord and then the B major chord follows in the last half of the measure. Playing chords in this manner is an arpeggio.
Summary
This song should not present too many obstacles for the average banjo player, and your fiddle playing friends should also enjoy it. Perhaps one of the biggest obstacles of Fiddle Bop is that it is written and played in the key of E. As I stated last time set your capo down and give it a try.
The banjo tab to Fiddle Bop can be found in the Download and Links section, and you can hear the tune by viewing the video as well. If you have any questions, feel free to give me a shout.
Keep on picking!
Downloads and Links
- Fiddle Bop Banjo Tablature (PDF)
- Fiddle Bop YouTube Video
